Volume 110 Issue 11

By Althea Barrett

Issue 11, Volume 110

|| March 2020

By Althea Barrett

“Suicide Squad” hit theaters with a very mixed reception way back in 2016. Some people loved it; some hated it; and after seeing the film over winter break, I have landed firmly in the latter camp. Nearly four years later, “Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn,” directed by Cathy Yan and written by Christina Hodson, acts as the sequel to “Suicide Squad”, revolving around Harley Quinn (Margot Robbie). After being dumped by the Joker, Harley finds herself in a tricky predicament, with half the city out for blood for the tricks she pulled under her ex-boyfriend’s protection. This quickly spirals into Harley’s quest for a diamond to bribe Black Mask (Ewan McGregor), who has a particularly long list of grievances, to spare her life. This movie is commonly referred to as a hot mess—and it owns it. The whole film is so gloriously stupid, with every character being an absolute moron. The plot is so convoluted that it becomes completely unpredictable, and Black Mask is over-the-top in every possible way. There are many problems with “Suicide Squad”—many, many problems—but most of them can be summed up with the overarching flaw that the movie tries to take its silly premise way too seriously, something “Birds of Prey” avoids completely. “Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn” has a premise that is almost as stupid as bribing supervillains into cosplaying as Superman, but doesn’t try to play it straight. The protagonist Harley has a pet hyena named after Batman and shoots confetti bullets. The villain throws a tantrum almost every time he’s onscreen. Little doodles are drawn over every minor antagonist’s face to break the tension and segue into the humorous crimes of Harley’s past. This is a stupid, stupid movie, but it runs with this concept completely, making it glorious. All of the characters in this movie are great. Alcoholic detective Renee Montoya (Rosie Perez) is hilariously over-the-top. Black Canary (Jurnee Smollett-Bell) does a phenomenal job acting as the straight man to everyone’s antics, and Mary Winstead’s Huntress is amazing too, though she only appears near the third act. But the star of the show is ultimately the main character: Harley, the queen of stupid. She acts as both the main character and the narrator of the story, maintaining a constant sense of silliness in what would have been an overly-edgy premise to keep the film from taking itself too seriously. Her personality is overplayed and ramped up to the max at every opportunity, and Robbie does an excellent job of making sure it stays consistent. Harley’s personality also lends itself excellently to the fight scenes, which are a spectacle in and of themselves. Though this movie calls itself “Birds of Prey,” it is not really about the members of the Birds of Prey. It is about Harley—and this is what ultimately saves it from becoming another “Suicide Squad.” Her perspective lends a sense of humor to this movie that its predecessor lacked, which prevents the film from taking itself too seriously and contrasts wonderfully with the dark, R-rated situations that the protagonist is thrown into. It is not a masterpiece, however. Stupid can be fun, but it isn’t everyone’s cup of tea, and it might get a little tiring for some viewers. The villain’s petulant attitude in particular wore me out after a while, and he’s not nearly as interesting as the other characters. The movie also flits back and forth from flashback to flashback, which often becomes confusing. There are more holes in the story than in a block of swiss cheese, but they are small enough to look past for the sake of enjoying the movie. Overall, “Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn” is fun. It’s not groundbreaking. It’s not perfect. But it’s fun. All the characters are entertaining in their own right and bounce off of one another decently. Despite its own problems, the film easily ducks all the major flaws that plagued “Suicide Squad” in 2016. If watching something silly is satisfying for you, then this movie is a very good pick.

Issue 11, Volume 110

|| March 2020

By The Editorial Board

Issue 11, Volume 110

|| March 2020

By Morris Raskin

A review of BoJack Horseman season six, a masterclass in comedic television.

Issue 11, Volume 110

|| March 2020

By Veronika Kowalski

In an effort to reduce instances of student misbehavior, area-access scanners are introduced to every corner of the school.

Issue 11, Volume 110

|| March 2020

By Morris Raskin

A review of BoJack Horseman season six, a masterclass in comedic television.

Issue 11, Volume 110

|| March 2020

By Matthew Wagman

Pizza, the New York staple, isn’t in high supply near Stuyvesant, and it’s a race to the bottom for high price and low quality among the only choices.

Issue 11, Volume 110

|| March 2020

By Caroline Pickering

A look back on the popular animated series Star vs. the Forces of Evil and how it was able to balance mature themes with a family-friendly narrative.

Issue 11, Volume 110

|| March 2020

By Shivali Korgaonkar

A review of Lil Wayne’s newest album, “Funeral.”

Issue 11, Volume 110

|| March 2020

By Alicia Yu

Katelyn Tuohy, a high school senior, has won four Gatorade Player of the Year titles for cross country (XC) and track, making her one of the greatest to ever do it.

Issue 11, Volume 110

|| March 2020

By The Arts & Entertainment Department

Anthems! And that doesn’t just mean The Star Spangled Banner! Spanning a variety of genres and time periods, these are the songs that rouse the spirit of the Arts & Entertainment department.

Issue 11, Volume 110

|| March 2020

By Erin Lee, Jonathan Schneiderman, Talia Kahan

Issue 11, Volume 110

|| March 2020

By Alice Zhu, Ana-Maria Skaricic, Michelle Lu

Stuyvesant SPARK hosted a screening of the documentary “All in My Family” as part of Respect for All week.

Issue 11, Volume 110

|| March 2020

By Isabella Jia, Maggie Sansone, Momoca Mairaj, Sarah Huynh

Issue 11, Volume 110

|| March 2020

By Christopher Sullivan, Derrick Lin, James Lee, Max Koster

Stuyvesant’s Science Olympiad (SciOly) team took home their third consecutive regional victory on February 8.

Issue 11, Volume 110

|| March 2020

By The Features Department

The Features Department presents excerpts of some of the winning pieces by Stuyvesant writers in the Scholastic Art and Writing Awards.

Issue 11, Volume 110

|| March 2020

By Anisa Gao

Being focused on my future as a young child has taken a toll on my perception on life.

Issue 11, Volume 110

|| March 2020

By Jonathan Schneiderman

We need fewer policy specifics in Presidential politics, not more.

Issue 11, Volume 110

|| March 2020

By Aya Alryyes

The sophomore bar is meant to be a place of our own. So why have we been banned from it?

Issue 11, Volume 110

|| March 2020

By Rania Zaki, Shah Nabil

The Stuyvesant Research Club is an ambitious, STEM-based club that deserves recognition due to its various programs that strive to aid students interested in the field of research.

Issue 11, Volume 110

|| March 2020

By Aaron Visser

Not doing the assigned reading has a cost.

Issue 11, Volume 110

|| March 2020

By Aya Alryyes

The sophomore bar is meant to be a place of our own. So why have we been banned from it?

Issue 11, Volume 110

|| March 2020
big image

By Helena Williams

Not everyone can be a star.

Issue 11, Volume 110

|| March 2020
big image

By David Nachman, Jonathan Xu

Issue 11, Volume 110

|| March 2020
big image

By Asa Muhammad

We can make sure you dress to impress.

Issue 11, Volume 110

|| March 2020
big image

By Aki Yamaguchi

Issue 11, Volume 110

|| March 2020
big image

By Chrisabella Javier

Junior SING!. Enough said.

Issue 11, Volume 110

|| March 2020
big image

By The Editorial Board

Issue 11, Volume 110

|| March 2020
big image

By Vernon Hughes

A review of the Boys’ Junior Varsity Basketball team season.

Issue 11, Volume 110

|| March 2020
big image

By Ethan Kirschner, Sam Levine

The trade deadline is always an action-packed day in the NBA with contenders looking to lad up for a championship run and other teams starting their rebuild.

Issue 11, Volume 110

|| March 2020
big image

By Oliver Stewart

It’s Senior SING!!

Issue 11, Volume 110

|| March 2020
big image

By The Sports Department

Issue 11, Volume 110

|| March 2020
big image

By Jennifer Sun

Issue 11, Volume 110

|| March 2020
big image

By Gavin McGinley, Suah Chung

The Spectator reviewed Junior SING!.

Issue 11, Volume 110

|| March 2020
big image

By Erin Lee, Talia Kahan

The Spectator reviews Senior SING!.

Issue 11, Volume 110

|| March 2020
big image

By Caroline Pickering

A look back on the popular animated series “Star vs. the Forces of Evil” and how it was able to balance mature themes with a family-friendly narrative.

Issue 11, Volume 110

|| March 2020
big image

By Caroline Ji, Jiahe Wang

A review of Soph-Frosh SING!.

Issue 11, Volume 110

|| March 2020

By Angelina Chang, Arthur Liang, Zoe Piccirillo

The impact of the virus on NYC schools is unclear, but public school closures remain unlikely.

Issue 11, Volume 110

|| March 2020

By Jenna Mackenroth

The recent spotlight put onto internal dialogue vs. abstract thinking reminds us about the diversity of thought processes and how they affect us at Stuyvesant.

Issue 11, Volume 110

|| March 2020

By Aya Alryyes

The sophomore bar is meant to be a place of our own. So why have we been banned from it?

Issue 11, Volume 110

|| March 2020

By Elio Torres

Eliminating the caucus system will allow for the nomination of candidates that are more representative of partisans’ opinions and not the select opinions of the elite.

Issue 11, Volume 110

|| March 2020

By Kenisha Mahajan, Zifei Zhao

A review on some of the nearest bubble tea spots around Stuyvesant!

Issue 11, Volume 110

|| March 2020

By Chrisabella Javier, Oliver Stewart

Well, it’s a Soph-Frosh SING!

Issue 11, Volume 110

|| March 2020

By 

Issue 11, Volume 110

|| March 2020

By Artem Ilyanok

There are clear parallels between the modus operandi and rhetoric that the progressive wing of the Democratic party—led by Bernie Sanders, Elizabeth Warren, Alexandria Ocasio-Cortez, and the now-infamous “Squad”—uses and that of Donald Trump.

Issue 11, Volume 110

|| March 2020

By Christopher Sullivan, Derrick Lin, James Lee, Max Koster

Issue 11, Volume 110

|| March 2020

By Angela Cai, Catherine Ching, Christina Pan, Judy Chen, Lauren Lee, Morris Raskin, Zawad Imrose

Stuyvesant students respond to the coronavirus.

Issue 11, Volume 110

|| March 2020

By Angela Cai, Catherine Ching, Christina Pan, Judy Chen, Lauren Lee, Morris Raskin, Zawad Imrose

Stuyvesant students respond to the coronavirus.

Issue 11, Volume 110

|| March 2020

By Angela Cai, Catherine Ching, Christina Pan, Judy Chen, Lauren Lee, Morris Raskin, Zawad Imrose

Stuyvesant students respond to the coronavirus.

Issue 11, Volume 110

|| March 2020

By Angela Cai, Nicole Itkin, Susannah Ahn

The STEM (science, technology, engineering, and mathematics) versus humanities conflict is ever-present at Stuyvesant.

Issue 11, Volume 110

|| March 2020

By The Features Department

In reflection of this year’s SING! season, the Features Department dives into the process of bringing the show to life.

Issue 11, Volume 110

|| March 2020

By Gerard Lin

Dr. McEwen redefined stress as not just a reaction to an extreme situation, but also as the body’s way of responding to the obstacles it faces every day.

Issue 11, Volume 110

|| March 2020

By Clara Shapiro, Erin Lee, Talia Kahan

Issue 11, Volume 110

|| March 2020

By Aaron Visser

Not doing the assigned reading has a cost.

Issue 11, Volume 110

|| March 2020

By Joshua Gindis

Our government deserves to be represented by “classical” architecture, cities and people deserve to be surrounded by it, and Trump’s executive order encouraging its widespread use in the design of future government buildings will undoubtedly benefit the country and the architectural world greatly.

Issue 11, Volume 110

|| March 2020

By Rania Zaki

The mass death of three billion birds in 50 years represents the immense repercussion of a rapidly changing ecosystem and a warning that predicts an unstable and terrifying future for humanity.

Issue 11, Volume 110

|| March 2020

By Aaron Visser

Not doing the assigned reading has a cost.

Issue 11, Volume 110

|| March 2020
big image

By Ivan Wang, Jake Lin

After every break, I always make sure to check up on the escalators to see if they’re okay, like checking up on a kid that was bullied into a coma that lasted for more than a year.

Issue 11, Volume 110

|| March 2020

By Althea Barrett

Issue 11, Volume 110

|| March 2020
big image

By Helena Williams

Not everyone can be a star.

Issue 11, Volume 110

|| March 2020
big image

By David Nachman, Jonathan Xu

Issue 11, Volume 110

|| March 2020
big image

By Asa Muhammad

We can make sure you dress to impress.

Issue 11, Volume 110

|| March 2020

By Althea Barrett

“Suicide Squad” hit theaters with a very mixed reception way back in 2016. Some people loved it; some hated it; and after seeing the film over winter break, I have landed firmly in the latter camp. Nearly four years later, “Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn,” directed by Cathy Yan and written by Christina Hodson, acts as the sequel to “Suicide Squad”, revolving around Harley Quinn (Margot Robbie). After being dumped by the Joker, Harley finds herself in a tricky predicament, with half the city out for blood for the tricks she pulled under her ex-boyfriend’s protection. This quickly spirals into Harley’s quest for a diamond to bribe Black Mask (Ewan McGregor), who has a particularly long list of grievances, to spare her life. This movie is commonly referred to as a hot mess—and it owns it. The whole film is so gloriously stupid, with every character being an absolute moron. The plot is so convoluted that it becomes completely unpredictable, and Black Mask is over-the-top in every possible way. There are many problems with “Suicide Squad”—many, many problems—but most of them can be summed up with the overarching flaw that the movie tries to take its silly premise way too seriously, something “Birds of Prey” avoids completely. “Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn” has a premise that is almost as stupid as bribing supervillains into cosplaying as Superman, but doesn’t try to play it straight. The protagonist Harley has a pet hyena named after Batman and shoots confetti bullets. The villain throws a tantrum almost every time he’s onscreen. Little doodles are drawn over every minor antagonist’s face to break the tension and segue into the humorous crimes of Harley’s past. This is a stupid, stupid movie, but it runs with this concept completely, making it glorious. All of the characters in this movie are great. Alcoholic detective Renee Montoya (Rosie Perez) is hilariously over-the-top. Black Canary (Jurnee Smollett-Bell) does a phenomenal job acting as the straight man to everyone’s antics, and Mary Winstead’s Huntress is amazing too, though she only appears near the third act. But the star of the show is ultimately the main character: Harley, the queen of stupid. She acts as both the main character and the narrator of the story, maintaining a constant sense of silliness in what would have been an overly-edgy premise to keep the film from taking itself too seriously. Her personality is overplayed and ramped up to the max at every opportunity, and Robbie does an excellent job of making sure it stays consistent. Harley’s personality also lends itself excellently to the fight scenes, which are a spectacle in and of themselves. Though this movie calls itself “Birds of Prey,” it is not really about the members of the Birds of Prey. It is about Harley—and this is what ultimately saves it from becoming another “Suicide Squad.” Her perspective lends a sense of humor to this movie that its predecessor lacked, which prevents the film from taking itself too seriously and contrasts wonderfully with the dark, R-rated situations that the protagonist is thrown into. It is not a masterpiece, however. Stupid can be fun, but it isn’t everyone’s cup of tea, and it might get a little tiring for some viewers. The villain’s petulant attitude in particular wore me out after a while, and he’s not nearly as interesting as the other characters. The movie also flits back and forth from flashback to flashback, which often becomes confusing. There are more holes in the story than in a block of swiss cheese, but they are small enough to look past for the sake of enjoying the movie. Overall, “Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn” is fun. It’s not groundbreaking. It’s not perfect. But it’s fun. All the characters are entertaining in their own right and bounce off of one another decently. Despite its own problems, the film easily ducks all the major flaws that plagued “Suicide Squad” in 2016. If watching something silly is satisfying for you, then this movie is a very good pick.

Issue 11, Volume 110

|| March 2020
big image

By Aki Yamaguchi

Issue 11, Volume 110

|| March 2020
big image

By Chrisabella Javier

Junior SING!. Enough said.

Issue 11, Volume 110

|| March 2020
big image

By The Editorial Board

Issue 11, Volume 110

|| March 2020
big image

By Vernon Hughes

A review of the Boys’ Junior Varsity Basketball team season.

Issue 11, Volume 110

|| March 2020

By The Editorial Board

Issue 11, Volume 110

|| March 2020
big image

By Ethan Kirschner, Sam Levine

The trade deadline is always an action-packed day in the NBA with contenders looking to lad up for a championship run and other teams starting their rebuild.

Issue 11, Volume 110

|| March 2020

By Morris Raskin

A review of BoJack Horseman season six, a masterclass in comedic television.

Issue 11, Volume 110

|| March 2020
big image

By Oliver Stewart

It’s Senior SING!!

Issue 11, Volume 110

|| March 2020
big image

By The Sports Department

Issue 11, Volume 110

|| March 2020

By Veronika Kowalski

In an effort to reduce instances of student misbehavior, area-access scanners are introduced to every corner of the school.

Issue 11, Volume 110

|| March 2020

By Morris Raskin

A review of BoJack Horseman season six, a masterclass in comedic television.

Issue 11, Volume 110

|| March 2020
big image

By Jennifer Sun

Issue 11, Volume 110

|| March 2020
big image

By Gavin McGinley, Suah Chung

The Spectator reviewed Junior SING!.

Issue 11, Volume 110

|| March 2020
big image

By Erin Lee, Talia Kahan

The Spectator reviews Senior SING!.

Issue 11, Volume 110

|| March 2020
big image

By Caroline Pickering

A look back on the popular animated series “Star vs. the Forces of Evil” and how it was able to balance mature themes with a family-friendly narrative.

Issue 11, Volume 110

|| March 2020

By Matthew Wagman

Pizza, the New York staple, isn’t in high supply near Stuyvesant, and it’s a race to the bottom for high price and low quality among the only choices.

Issue 11, Volume 110

|| March 2020

By Caroline Pickering

A look back on the popular animated series Star vs. the Forces of Evil and how it was able to balance mature themes with a family-friendly narrative.

Issue 11, Volume 110

|| March 2020
big image

By Caroline Ji, Jiahe Wang

A review of Soph-Frosh SING!.

Issue 11, Volume 110

|| March 2020
big image

By Chrisabella Javier, Oliver Stewart

Well, it’s a Soph-Frosh SING!

Issue 11, Volume 110

|| March 2020

By Shivali Korgaonkar

A review of Lil Wayne’s newest album, “Funeral.”

Issue 11, Volume 110

|| March 2020
big image

By 

Issue 11, Volume 110

|| March 2020

By Alicia Yu

Katelyn Tuohy, a high school senior, has won four Gatorade Player of the Year titles for cross country (XC) and track, making her one of the greatest to ever do it.

Issue 11, Volume 110

|| March 2020

By The Arts & Entertainment Department

Anthems! And that doesn’t just mean The Star Spangled Banner! Spanning a variety of genres and time periods, these are the songs that rouse the spirit of the Arts & Entertainment department.

Issue 11, Volume 110

|| March 2020
big image

By Artem Ilyanok

There are clear parallels between the modus operandi and rhetoric that the progressive wing of the Democratic party—led by Bernie Sanders, Elizabeth Warren, Alexandria Ocasio-Cortez, and the now-infamous “Squad”—uses and that of Donald Trump.

Issue 11, Volume 110

|| March 2020

By Erin Lee, Jonathan Schneiderman, Talia Kahan

Issue 11, Volume 110

|| March 2020

By Alice Zhu, Ana-Maria Skaricic, Michelle Lu

Stuyvesant SPARK hosted a screening of the documentary “All in My Family” as part of Respect for All week.

Issue 11, Volume 110

|| March 2020
big image

By Christopher Sullivan, Derrick Lin, James Lee, Max Koster

Issue 11, Volume 110

|| March 2020

By Isabella Jia, Maggie Sansone, Momoca Mairaj, Sarah Huynh

Issue 11, Volume 110

|| March 2020

By Christopher Sullivan, Derrick Lin, James Lee, Max Koster

Stuyvesant’s Science Olympiad (SciOly) team took home their third consecutive regional victory on February 8.

Issue 11, Volume 110

|| March 2020
big image

By Angela Cai, Catherine Ching, Christina Pan, Judy Chen, Lauren Lee, Morris Raskin, Zawad Imrose

Stuyvesant students respond to the coronavirus.

Issue 11, Volume 110

|| March 2020
big image

By Angela Cai, Catherine Ching, Christina Pan, Judy Chen, Lauren Lee, Morris Raskin, Zawad Imrose

Stuyvesant students respond to the coronavirus.

Issue 11, Volume 110

|| March 2020
big image

By Angela Cai, Catherine Ching, Christina Pan, Judy Chen, Lauren Lee, Morris Raskin, Zawad Imrose

Stuyvesant students respond to the coronavirus.

Issue 11, Volume 110

|| March 2020
big image

By Angela Cai, Nicole Itkin, Susannah Ahn

The STEM (science, technology, engineering, and mathematics) versus humanities conflict is ever-present at Stuyvesant.

Issue 11, Volume 110

|| March 2020
big image

By The Features Department

In reflection of this year’s SING! season, the Features Department dives into the process of bringing the show to life.

Issue 11, Volume 110

|| March 2020

By The Features Department

The Features Department presents excerpts of some of the winning pieces by Stuyvesant writers in the Scholastic Art and Writing Awards.

Issue 11, Volume 110

|| March 2020
big image

By Gerard Lin

Dr. McEwen redefined stress as not just a reaction to an extreme situation, but also as the body’s way of responding to the obstacles it faces every day.

Issue 11, Volume 110

|| March 2020

By Anisa Gao

Being focused on my future as a young child has taken a toll on my perception on life.

Issue 11, Volume 110

|| March 2020

By Jonathan Schneiderman

We need fewer policy specifics in Presidential politics, not more.

Issue 11, Volume 110

|| March 2020
big image

By Clara Shapiro, Erin Lee, Talia Kahan

Issue 11, Volume 110

|| March 2020

By Aya Alryyes

The sophomore bar is meant to be a place of our own. So why have we been banned from it?

Issue 11, Volume 110

|| March 2020

By Rania Zaki, Shah Nabil

The Stuyvesant Research Club is an ambitious, STEM-based club that deserves recognition due to its various programs that strive to aid students interested in the field of research.

Issue 11, Volume 110

|| March 2020

By Aaron Visser

Not doing the assigned reading has a cost.

Issue 11, Volume 110

|| March 2020

By Aya Alryyes

The sophomore bar is meant to be a place of our own. So why have we been banned from it?

Issue 11, Volume 110

|| March 2020

By Angelina Chang, Arthur Liang, Zoe Piccirillo

The impact of the virus on NYC schools is unclear, but public school closures remain unlikely.

Issue 11, Volume 110

|| March 2020

By Jenna Mackenroth

The recent spotlight put onto internal dialogue vs. abstract thinking reminds us about the diversity of thought processes and how they affect us at Stuyvesant.

Issue 11, Volume 110

|| March 2020

By Aya Alryyes

The sophomore bar is meant to be a place of our own. So why have we been banned from it?

Issue 11, Volume 110

|| March 2020
big image

By Aaron Visser

Not doing the assigned reading has a cost.

Issue 11, Volume 110

|| March 2020
big image

By Joshua Gindis

Our government deserves to be represented by “classical” architecture, cities and people deserve to be surrounded by it, and Trump’s executive order encouraging its widespread use in the design of future government buildings will undoubtedly benefit the country and the architectural world greatly.

Issue 11, Volume 110

|| March 2020

By Elio Torres

Eliminating the caucus system will allow for the nomination of candidates that are more representative of partisans’ opinions and not the select opinions of the elite.

Issue 11, Volume 110

|| March 2020
big image

By Rania Zaki

The mass death of three billion birds in 50 years represents the immense repercussion of a rapidly changing ecosystem and a warning that predicts an unstable and terrifying future for humanity.

Issue 11, Volume 110

|| March 2020
big image

By Aaron Visser

Not doing the assigned reading has a cost.

Issue 11, Volume 110

|| March 2020

By Kenisha Mahajan, Zifei Zhao

A review on some of the nearest bubble tea spots around Stuyvesant!

Issue 11, Volume 110

|| March 2020