Television

By Sally Zeng

Season Two of X-Men ‘97 is solid because of the animations, character development, and decent storyline, but it is weakened by the show’s rushed pacing and script.

Issue 1, Volume 117

|| 2026-2027

By James Lu

The current revival of Smallville says a lot more about how audiences today value character-driven, earnest television than just empty nostalgia.

Issue 17, Volume 116

|| 2025-2026

By Molly Gupta

Netflix’s adaptation of Lord of the Flies features stunning visuals and strong acting to create an immersive and compelling series, though it is held back by uneven tttttrrryrrtretrrrrrpacing.

Issue 16, Volume 116

|| 2025-2026

By Alexander Deng

GameOVerse’s pilot proves to be an exemplary model of indie animation, from its ambitious animation to innovative story and worldbuilding. While it isn’t a perfect pilot, it has a lot of potential if it gets greenlit for a full series.

Issue 16, Volume 116

|| 2025-2026

By Alexander Deng

One Punch Man’s third season is underwhelming in several ways, from the animation errors to the lack of animation altogether. This article dives into the ways in which the season falls short, as well as an explanation of how the season was doomed from the start.

Issue 11, Volume 116

|| 2025-2026

By  Kabir Madan

By exploring dark subject matter through the teenage psyche, Adolescence became one of the most gripping shows of the year—uncomfortable yet undeniable.

Issue 11, Volume 116

|| 2025-2026

By Sama Daga

The Last of Us Season Two is a bold, brutal dive into grief and revenge that trades comfort for raw emotional honesty.

Issue 17, Volume 115

|| 2024-2025

By Anna Schaible

An review and analysis of the final six episodes of Andor

Issue 17, Volume 115

|| 2024-2025

By Anna Schaible

A review of the first half of Andor’s second season.

Issue 16, Volume 115

|| 2024-2025

By  Kabir Madan

The third season of Invincible is arguably the greatest, with compelling stories, excellent writing, and amazing voice acting

Issue 14, Volume 115

|| 2024-2025

By  Kabir Madan

While far from the best five episodes Cobra Kai has put out, it was decent across the board, but slightly flawed in a few areas, such as the fights and some of the characters.

Issue 6, Volume 115

|| 2024-2025

By  Kabir Madan

Although the first part of season 6 has its issues, such as pacing and character choices, it still offers five solid episodes worth watching

Issue 3, Volume 115

|| 2024-2025

By Khush Wadhwa

This year’s Eurovision was marked by chaos and controversy, but can we unite under its ending?

Issue 16, Volume 114

|| 2023-2024

By Sofia Hernandez

A tribute to Friends actor Matthew Perry, and a recap of his life and the events leading up to his sudden death on October 28, 2023.

Issue 6, Volume 114

|| 2023-2024

By Emi Shimada

Only Murders in the Building season three returns with exceptional humor, music, acting, and an unfortunately predictable plot.

Issue 4, Volume 114

|| 2023-2024

By Sama Daga

The lack of production caused by the Hollywood strike has taken away employment opportunities from stage artists, raising concerns over the future of these professions.

Issue 1, Volume 114

|| 2023-2024
big image

By Emi Shimada

“Everyone Loves Me” is a fresh take on the eSports romantic comedy genre, with good casting and a unique plot line

Issue 16, Volume 114

|| 2023-2024
big image

By Rachel Hong

Though it may be flawed, the new Disney+ adaptation has done a faithful job of bearing the Percy Jackson and the Olympians’ legacy.

Issue 11, Volume 114

|| 2023-2024
big image

By Brandon Phillips

Ahsoka, the latest in a long line-up of Star Wars live-action television shows, falls in the middle of the bunch, failing to make much of an impact.

Issue 6, Volume 114

|| 2023-2024
big image

By Renata Firestone

There are several issues at the heart of the nation’s ongoing writers strike, but the most prevalent of these include demands for higher pay and a more stable pay structure, fairer deals and contracts, and clear guidelines around the usage of AI.

Issue 16, Volume 113

|| 2022-2023
big image

By Vita Kirschtein

In modern times, the idea of female vanity continues to align with the path set by men centuries ago, growing more demeaning and provocative with time. The concept of vanity has evolved over time, but the continued emphasis on women’s obsession with their looks remains unaltered.

Issue 16, Volume 113

|| 2022-2023
big image

By Munem Tajwar

What led to the fall of The Walking Dead?

Issue 7, Volume 113

|| December 2022
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By Sofia Hernandez

A review of Netflix’s “Monster: The Jeffrey Dahmer Story,” as well as the controversy surrounding its release.

Issue 3, Volume 113

|| October 2022
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By Raisa Noha

If you enjoyed Squid Game, you’ll definitely enjoy some of these K-drama thrillers.

Issue 15, Volume 112

|| May 2022
big image

By Raisa Noha

Netflix’s newest based-on-a true story series, “Inventing Anna” (2022), gives audiences a glimpse into the life of con-woman Anna Sorokin and the lengths of her deception that fooled New York’s elite.

Issue 13, Volume 112

|| April 2022
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By Nicole Liu

A review of “All of Us Are Dead,” the newest Korean zombie apocalypse show with a unique high school setting and relatable teenage protagonists.

Issue 11, Volume 112

|| March 2022
big image

By Madison Kim

For over seven decades, American treasure Betty White has been able to make a place for herself on television, speaking volumes about her inextricable link to the small-screen medium.

Issue 9, Volume 112

|| January 2022

By Emi Shimada

K-Dramas utilize plot and editing devices to glorify toxic behaviors, but maintain international viewership by adopting the female gaze.

Issue 1, Volume 114

|| 2023-2024

By Sofia Sen, Subha Bhuiyan

A review of Netflix’s supernatural coming of age series Wednesday, an adaption of the popular Addams family franchise

Issue 7, Volume 113

|| December 2022

By Lucien Clough, Simone Raleigh

Atlanta is fearless, but not reckless, keeping itself grounded in realistic characters and commentary while reveling in the surreal.

Issue 6, Volume 113

|| December 2022

By Raisa Noha

“Devil in Ohio,” Netflix’s newest addition to its repertoire of thriller dramas, follows Mae, an escaped member of a satanic cult, as she infiltrates the lives of the Mathis family.

Issue 2, Volume 113

|| September 2022

By Alexander Hinchliffe

Netflix’s “Heartstopper” is a tender depiction of young queer love.

Issue 16, Volume 112

|| June 2022

By Simone Raleigh

“Everything Everywhere All at Once” instills fast-paced, cleverly controlled chaos in its plot, but when the wacky fun fades, a portrayal of extraordinary emotional complexity is revealed.

Issue 15, Volume 112

|| May 2022

By Adele Bois, Ivy Halpern

A recap of Season 2 of the Netflix series “Bridgerton,” told by Lady Whistledown herself.

Issue 14, Volume 112

|| April 2022

By Phoebe Buckwalter

Fan favorites like “Grey’s Anatomy” glamorize medical careers and provide misinformation with real-life risks.

Issue 13, Volume 112

|| April 2022

By Eleanor Leung, Subha Bhuiyan

A review on the characters and artistic qualities of popular HBO show “Euphoria.”

Issue 12, Volume 112

|| March 2022

By Sayantan Saha

A review of "Arcane," Netflix's smash-hit animated series

Issue 7, Volume 112

|| December 2021

By Julie Grandchamp-Desraux

Review of “Money Heist” season 5

Issue 8, Volume 112

|| December 2021

By Oliver Hollmann

The fifth season of Netflix’s Big Mouth hits a number of beats, some good and some less good.

Issue 7, Volume 112

|| December 2021

By Nicole Liu

“Love Hard” is a shallow and predictable rom-com that misses the mark when it comes to Asian representation by furthering harmful stereotypes.

Issue 7, Volume 112

|| December 2021

By Nicole Liu

The third season of Netflix’s psychological thriller “You” is full of twists and turns and explores interesting dynamics.

Issue 5, Volume 112

|| November 2021
big image

By Dechen Takrong

After years of anticipation, Adult Swim’s Uzumaki proves to be a maddening mix of greatness and disappointment.

Issue 5, Volume 115

|| 2024-2025

By James Lu

The current revival of Smallville says a lot more about how audiences today value character-driven, earnest television than just empty nostalgia.

Issue 17, Volume 116

|| 2025-2026

By Sama Daga

The Last of Us Season Two is a bold, brutal dive into grief and revenge that trades comfort for raw emotional honesty.

Issue 17, Volume 115

|| 2024-2025

By Anna Schaible

An review and analysis of the final six episodes of Andor

Issue 17, Volume 115

|| 2024-2025

By Molly Gupta

Netflix’s adaptation of Lord of the Flies features stunning visuals and strong acting to create an immersive and compelling series, though it is held back by uneven tttttrrryrrtretrrrrrpacing.

Issue 16, Volume 116

|| 2025-2026

By Alexander Deng

GameOVerse’s pilot proves to be an exemplary model of indie animation, from its ambitious animation to innovative story and worldbuilding. While it isn’t a perfect pilot, it has a lot of potential if it gets greenlit for a full series.

Issue 16, Volume 116

|| 2025-2026

By Anna Schaible

A review of the first half of Andor’s second season.

Issue 16, Volume 115

|| 2024-2025
big image

By Emi Shimada

“Everyone Loves Me” is a fresh take on the eSports romantic comedy genre, with good casting and a unique plot line

Issue 16, Volume 114

|| 2023-2024

By Khush Wadhwa

This year’s Eurovision was marked by chaos and controversy, but can we unite under its ending?

Issue 16, Volume 114

|| 2023-2024
big image

By Renata Firestone

There are several issues at the heart of the nation’s ongoing writers strike, but the most prevalent of these include demands for higher pay and a more stable pay structure, fairer deals and contracts, and clear guidelines around the usage of AI.

Issue 16, Volume 113

|| 2022-2023
big image

By Vita Kirschtein

In modern times, the idea of female vanity continues to align with the path set by men centuries ago, growing more demeaning and provocative with time. The concept of vanity has evolved over time, but the continued emphasis on women’s obsession with their looks remains unaltered.

Issue 16, Volume 113

|| 2022-2023

By Alexander Hinchliffe

Netflix’s “Heartstopper” is a tender depiction of young queer love.

Issue 16, Volume 112

|| June 2022

By Simone Raleigh

“Everything Everywhere All at Once” instills fast-paced, cleverly controlled chaos in its plot, but when the wacky fun fades, a portrayal of extraordinary emotional complexity is revealed.

Issue 15, Volume 112

|| May 2022
big image

By Raisa Noha

If you enjoyed Squid Game, you’ll definitely enjoy some of these K-drama thrillers.

Issue 15, Volume 112

|| May 2022

By  Kabir Madan

The third season of Invincible is arguably the greatest, with compelling stories, excellent writing, and amazing voice acting

Issue 14, Volume 115

|| 2024-2025

By Adele Bois, Ivy Halpern

A recap of Season 2 of the Netflix series “Bridgerton,” told by Lady Whistledown herself.

Issue 14, Volume 112

|| April 2022
big image

By Raisa Noha

Netflix’s newest based-on-a true story series, “Inventing Anna” (2022), gives audiences a glimpse into the life of con-woman Anna Sorokin and the lengths of her deception that fooled New York’s elite.

Issue 13, Volume 112

|| April 2022

By Phoebe Buckwalter

Fan favorites like “Grey’s Anatomy” glamorize medical careers and provide misinformation with real-life risks.

Issue 13, Volume 112

|| April 2022

By Eleanor Leung, Subha Bhuiyan

A review on the characters and artistic qualities of popular HBO show “Euphoria.”

Issue 12, Volume 112

|| March 2022

By Alexander Deng

One Punch Man’s third season is underwhelming in several ways, from the animation errors to the lack of animation altogether. This article dives into the ways in which the season falls short, as well as an explanation of how the season was doomed from the start.

Issue 11, Volume 116

|| 2025-2026

By  Kabir Madan

By exploring dark subject matter through the teenage psyche, Adolescence became one of the most gripping shows of the year—uncomfortable yet undeniable.

Issue 11, Volume 116

|| 2025-2026
big image

By Rachel Hong

Though it may be flawed, the new Disney+ adaptation has done a faithful job of bearing the Percy Jackson and the Olympians’ legacy.

Issue 11, Volume 114

|| 2023-2024
big image

By Nicole Liu

A review of “All of Us Are Dead,” the newest Korean zombie apocalypse show with a unique high school setting and relatable teenage protagonists.

Issue 11, Volume 112

|| March 2022
big image

By Madison Kim

For over seven decades, American treasure Betty White has been able to make a place for herself on television, speaking volumes about her inextricable link to the small-screen medium.

Issue 9, Volume 112

|| January 2022
big image

By Julie Grandchamp-Desraux

Review of “Money Heist” season 5

Issue 8, Volume 112

|| December 2021
big image

By Munem Tajwar

What led to the fall of The Walking Dead?

Issue 7, Volume 113

|| December 2022

By Sofia Sen, Subha Bhuiyan

A review of Netflix’s supernatural coming of age series Wednesday, an adaption of the popular Addams family franchise

Issue 7, Volume 113

|| December 2022

By Sayantan Saha

A review of "Arcane," Netflix's smash-hit animated series

Issue 7, Volume 112

|| December 2021
big image

By Oliver Hollmann

The fifth season of Netflix’s Big Mouth hits a number of beats, some good and some less good.

Issue 7, Volume 112

|| December 2021
big image

By Nicole Liu

“Love Hard” is a shallow and predictable rom-com that misses the mark when it comes to Asian representation by furthering harmful stereotypes.

Issue 7, Volume 112

|| December 2021

By  Kabir Madan

While far from the best five episodes Cobra Kai has put out, it was decent across the board, but slightly flawed in a few areas, such as the fights and some of the characters.

Issue 6, Volume 115

|| 2024-2025
big image

By Brandon Phillips

Ahsoka, the latest in a long line-up of Star Wars live-action television shows, falls in the middle of the bunch, failing to make much of an impact.

Issue 6, Volume 114

|| 2023-2024

By Sofia Hernandez

A tribute to Friends actor Matthew Perry, and a recap of his life and the events leading up to his sudden death on October 28, 2023.

Issue 6, Volume 114

|| 2023-2024

By Lucien Clough, Simone Raleigh

Atlanta is fearless, but not reckless, keeping itself grounded in realistic characters and commentary while reveling in the surreal.

Issue 6, Volume 113

|| December 2022
big image

By Nicole Liu

The third season of Netflix’s psychological thriller “You” is full of twists and turns and explores interesting dynamics.

Issue 5, Volume 112

|| November 2021

By Emi Shimada

Only Murders in the Building season three returns with exceptional humor, music, acting, and an unfortunately predictable plot.

Issue 4, Volume 114

|| 2023-2024

By  Kabir Madan

Although the first part of season 6 has its issues, such as pacing and character choices, it still offers five solid episodes worth watching

Issue 3, Volume 115

|| 2024-2025
big image

By Sofia Hernandez

A review of Netflix’s “Monster: The Jeffrey Dahmer Story,” as well as the controversy surrounding its release.

Issue 3, Volume 113

|| October 2022

By Raisa Noha

“Devil in Ohio,” Netflix’s newest addition to its repertoire of thriller dramas, follows Mae, an escaped member of a satanic cult, as she infiltrates the lives of the Mathis family.

Issue 2, Volume 113

|| September 2022

By Sally Zeng

Season Two of X-Men ‘97 is solid because of the animations, character development, and decent storyline, but it is weakened by the show’s rushed pacing and script.

Issue 1, Volume 117

|| 2026-2027

By Sama Daga

The lack of production caused by the Hollywood strike has taken away employment opportunities from stage artists, raising concerns over the future of these professions.

Issue 1, Volume 114

|| 2023-2024

By Emi Shimada

K-Dramas utilize plot and editing devices to glorify toxic behaviors, but maintain international viewership by adopting the female gaze.

Issue 1, Volume 114

|| 2023-2024