Theater

By Victor Ma

This is an eulogy to snow days, highlighting everything good (and bad) about them until their recent termination after COVID.

Issue 10, Volume 116

|| 2025-2026

By Sameer Martin

Stuyvesant experiences a turbulent political climate as a conflict arises over pen vs. pencil.

Issue 10, Volume 116

|| 2025-2026

By Matthew Chen

Junior Avery Jones receives a slightly better schedule than usual. An exclusive look into the programming office explains the consequences.

Issue 10, Volume 116

|| 2025-2026

By Brian Lin, Dilasha Rawal, Farheen Rahman, Ken Wakida

Starting this year, the Big Sibs have created a new program where little sibs will be able to have lunch with their Big Sibs at a designated table in the cafeteria.

Issue 4, Volume 116

|| 2025-2026

By Stella Kubersky

Aubrey Plaza and Maisey Stella stun in new movie My Old Ass.

Issue 8, Volume 115

|| 2024-2025

By Sama Daga

This ceremony is meant to celebrate accomplishments in television, but has instead become a battleground.

Issue 3, Volume 115

|| 2024-2025

By Ryan Radwan

After the grand success of STC’s fall musical Anastasia and also its surprisingly comedic winter drama Arsenic and Old Lace, the production of its spring comedy upheld the great expectations from its audience.

Issue 17, Volume 114

|| 2023-2024

By Albert Shen

A review of the recently released oratorio “Émigré”

Issue 14, Volume 114

|| 2023-2024

By Somerset Seidenberg

At the Santa Cecilia Hall in Rome, Lang Lang delivered a memorable performance that captured both his effortless skill and his performative flair.

Issue 13, Volume 114

|| 2023-2024

By Talia Arcasoy, Zoey Marcus

The Spectator’s News Department provides the budget breakdown for the SING! 2024 productions.

Issue 12, Volume 114

|| 2023-2024

By Somerset Seidenberg

Stephen Sondheim’s final musical, Here We Are, is ambitious but hollow and without nuance.

Issue 8, Volume 114

|| 2023-2024

By Somerset Seidenberg

Stephen Sondheim’s final musical, Here We Are, is ambitious but hollow and without nuance.

Issue 8, Volume 114

|| 2023-2024

By Sofia Thornley

After becoming the longest running show on Broadway, The Phantom of the Opera’s reign has finally ended.

Issue 14, Volume 113

|| 2022-2023
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By Sofia Hernandez

“One learns to live moment by moment, merely trying to survive another day,” is what Holocaust survivor Helena Weinrauch wrote in her 1945 memoir A Will To Live. Her story of persistence and resistance is now being told through a one-woman show at the Chain Theatre.

Issue 2, Volume 114

|| 2023-2024
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By Christina Pan, Zoe Buff

A review of Stuyvesant Theater Community’s (STC) fall musical Matilda, a revoltingly entertaining take on the Roald Dahl classic.

Issue 5, Volume 113

|| November 2022
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By Emma Linderman, Ismath Maksura

Ismath Maksura and Emma Linderman review STC’s fall musical, “Legally Blonde”.

Issue 6, Volume 110

|| December 2019
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By Emma Linderman, Zoe Oppenheimer

The beloved Percy Jackson has made his mark on Broadway.

Issue 6, Volume 110

|| December 2019
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By Stefany Quiroz

Heidi Schreck’s “What the Constitution Means to Me” initiates a conversation about the current state of our nation and its history that’s been long overdue.

Issue 16, Volume 109

|| June 2019
big image

By Emma Linderman

From “The Sonny & Cher Comedy Hour” (1971-1974) to “Mamma Mia! Here We Go Again,” (2018) singer-actress Cher has proven to be a positively unstoppable...

Issue 13, Volume 109

|| April 2019
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By Shruthi Venkata

A review of Cardinal, an off-Broadway play at the Tony Kiser Theater, combined with a feature of actor and Stuyvesant alumnus Eugene Young.

Issue 14, Volume 108

|| May 2018
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By Emma Linderman

A look at five shows that are due for a Broadway revival.

Issue 6, Volume 108

|| December 2017

By Roxy Perazzo

“It’s all happening” at the new musical adaption of “Almost Famous” on Broadway.

Issue 5, Volume 113

|| November 2022

By Zoe Buff

A closer look at Mozart’s “Le Nozze di Figaro,” perhaps the cleverest comedy of the opera world.

Issue 15, Volume 112

|| May 2022

By Ivy Halpern

A review of the play “Prayers for the French Republic.”

Issue 13, Volume 112

|| April 2022

By Asa Muhammad, Kenisha Mahajan

Stuyvesant Theater Community has returned to the stage with their production of “Something Rotten!”

Issue 5, Volume 112

|| November 2021

By Lianne Ohayon

With the release of “Hamilton” on Disney+ five years after its Broadway premiere, people across the world can witness how groundbreaking this musical is.

Issue 1, Volume 111

|| August 2020

By Grace Goldstein

A thinkpiece on the musical adaptation of Jagged Little Pill by Alanis Morissette.

Issue 3, Volume 109

|| October 2018

By Chelsea Cheung

Cozily nestled in the bustling streets of Times Square, the Imperial Theater was a world unto itself as an eager audience was introduced to rapturous,...

Issue 1, Volume 108

|| September 2017

By Sarah Kim

Zimmer’s live performance covered so much ground, so well—not only temporally (with scores spanning decades of his life’s work) but also artistically (with practically every musical genre given its own time in the spotlight).

Issue 1, Volume 108

|| September 2017

By Eliana Kavouriadis

A review of the STC’s 2017 spring comedy/musical, Urinetown.

Issue 16, Volume 107

|| June 2017

By Paulina Klubok

“Anastasia” the musical is a spectacular, grittier take on the story/movie w/ amazing music, awesome plotline, and great actors

Issue 1, Volume 108

|| September 2017

By Emma Linderman

Issue 15, Volume 107

|| May 2017

By Jenna Bawer

A review of the Broadway musical InTransit.

Issue 13, Volume 107

|| April 2017
big image

By Albert Shen

Issue 17, Volume 114

|| 2023-2024

By Ryan Radwan

After the grand success of STC’s fall musical Anastasia and also its surprisingly comedic winter drama Arsenic and Old Lace, the production of its spring comedy upheld the great expectations from its audience.

Issue 17, Volume 114

|| 2023-2024
big image

By Stefany Quiroz

Heidi Schreck’s “What the Constitution Means to Me” initiates a conversation about the current state of our nation and its history that’s been long overdue.

Issue 16, Volume 109

|| June 2019

By Eliana Kavouriadis

A review of the STC’s 2017 spring comedy/musical, Urinetown.

Issue 16, Volume 107

|| June 2017

By Zoe Buff

A closer look at Mozart’s “Le Nozze di Figaro,” perhaps the cleverest comedy of the opera world.

Issue 15, Volume 112

|| May 2022
big image

By Emma Linderman

Issue 15, Volume 107

|| May 2017

By Albert Shen

A review of the recently released oratorio “Émigré”

Issue 14, Volume 114

|| 2023-2024

By Sofia Thornley

After becoming the longest running show on Broadway, The Phantom of the Opera’s reign has finally ended.

Issue 14, Volume 113

|| 2022-2023
big image

By Shruthi Venkata

A review of Cardinal, an off-Broadway play at the Tony Kiser Theater, combined with a feature of actor and Stuyvesant alumnus Eugene Young.

Issue 14, Volume 108

|| May 2018

By Somerset Seidenberg

At the Santa Cecilia Hall in Rome, Lang Lang delivered a memorable performance that captured both his effortless skill and his performative flair.

Issue 13, Volume 114

|| 2023-2024

By Ivy Halpern

A review of the play “Prayers for the French Republic.”

Issue 13, Volume 112

|| April 2022
big image

By Emma Linderman

From “The Sonny & Cher Comedy Hour” (1971-1974) to “Mamma Mia! Here We Go Again,” (2018) singer-actress Cher has proven to be a positively unstoppable...

Issue 13, Volume 109

|| April 2019
big image

By Jenna Bawer

A review of the Broadway musical InTransit.

Issue 13, Volume 107

|| April 2017

By Talia Arcasoy, Zoey Marcus

The Spectator’s News Department provides the budget breakdown for the SING! 2024 productions.

Issue 12, Volume 114

|| 2023-2024

By Victor Ma

This is an eulogy to snow days, highlighting everything good (and bad) about them until their recent termination after COVID.

Issue 10, Volume 116

|| 2025-2026

By Sameer Martin

Stuyvesant experiences a turbulent political climate as a conflict arises over pen vs. pencil.

Issue 10, Volume 116

|| 2025-2026

By Matthew Chen

Junior Avery Jones receives a slightly better schedule than usual. An exclusive look into the programming office explains the consequences.

Issue 10, Volume 116

|| 2025-2026

By Stella Kubersky

Aubrey Plaza and Maisey Stella stun in new movie My Old Ass.

Issue 8, Volume 115

|| 2024-2025

By Somerset Seidenberg

Stephen Sondheim’s final musical, Here We Are, is ambitious but hollow and without nuance.

Issue 8, Volume 114

|| 2023-2024

By Somerset Seidenberg

Stephen Sondheim’s final musical, Here We Are, is ambitious but hollow and without nuance.

Issue 8, Volume 114

|| 2023-2024
big image

By Emma Linderman, Ismath Maksura

Ismath Maksura and Emma Linderman review STC’s fall musical, “Legally Blonde”.

Issue 6, Volume 110

|| December 2019
big image

By Emma Linderman, Zoe Oppenheimer

The beloved Percy Jackson has made his mark on Broadway.

Issue 6, Volume 110

|| December 2019
big image

By Emma Linderman

A look at five shows that are due for a Broadway revival.

Issue 6, Volume 108

|| December 2017

By Roxy Perazzo

“It’s all happening” at the new musical adaption of “Almost Famous” on Broadway.

Issue 5, Volume 113

|| November 2022
big image

By Christina Pan, Zoe Buff

A review of Stuyvesant Theater Community’s (STC) fall musical Matilda, a revoltingly entertaining take on the Roald Dahl classic.

Issue 5, Volume 113

|| November 2022

By Asa Muhammad, Kenisha Mahajan

Stuyvesant Theater Community has returned to the stage with their production of “Something Rotten!”

Issue 5, Volume 112

|| November 2021

By Brian Lin, Dilasha Rawal, Farheen Rahman, Ken Wakida

Starting this year, the Big Sibs have created a new program where little sibs will be able to have lunch with their Big Sibs at a designated table in the cafeteria.

Issue 4, Volume 116

|| 2025-2026

By Sama Daga

This ceremony is meant to celebrate accomplishments in television, but has instead become a battleground.

Issue 3, Volume 115

|| 2024-2025

By Grace Goldstein

A thinkpiece on the musical adaptation of Jagged Little Pill by Alanis Morissette.

Issue 3, Volume 109

|| October 2018
big image

By Sofia Hernandez

“One learns to live moment by moment, merely trying to survive another day,” is what Holocaust survivor Helena Weinrauch wrote in her 1945 memoir A Will To Live. Her story of persistence and resistance is now being told through a one-woman show at the Chain Theatre.

Issue 2, Volume 114

|| 2023-2024

By Lianne Ohayon

With the release of “Hamilton” on Disney+ five years after its Broadway premiere, people across the world can witness how groundbreaking this musical is.

Issue 1, Volume 111

|| August 2020
big image

By Paulina Klubok

“Anastasia” the musical is a spectacular, grittier take on the story/movie w/ amazing music, awesome plotline, and great actors

Issue 1, Volume 108

|| September 2017

By Chelsea Cheung

Cozily nestled in the bustling streets of Times Square, the Imperial Theater was a world unto itself as an eager audience was introduced to rapturous,...

Issue 1, Volume 108

|| September 2017

By Sarah Kim

Zimmer’s live performance covered so much ground, so well—not only temporally (with scores spanning decades of his life’s work) but also artistically (with practically every musical genre given its own time in the spotlight).

Issue 1, Volume 108

|| September 2017